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Posts Tagged ‘emotional truth’

Authentic Reason For Actors’ Longevity :: In Photos

Posted by Dana Kaminski on 30th November 2009 in great acting

Acting Sad :: Not About Crying-On-Cue, It’s About Authenticity Of Emotion

In my own, private, acting-stash folder, I’ve been saving these photos of well-known actors:

      • Willem Dafoe
      • Daniel Craig
      • Ed Harris
      • Forrest Whitaker
      • Gabriel Byrne
      • Michael Madsen
      • Paul Newman
      • Tim Roth
      • Ryan Gosling

I think these photos are an homage to the beauty of emotional truth. To real, authentic emotional acting. To these male actors’ craft. Each still photo provides, in a glimpse, the beauty that is the art of acting. The depth of great acting.

I look at them, myself, from time to time.  These photos honor my craft. They remind me of why I  committed myself, so passionately, so assiduously, for a very long time…to developing a masterful acting craft.

Sometimes, these photos renew my faith in the industry; when I’m feeling skeptical, or think it’s all about money, marketing, beauty, comics… These guys are well-known professional actors with longevity, and it is clearly not accidental. This special group is famous for a reason.


CMgrabriel

Actor Willem Dafoe

CMdanielcraig

CMedharris

CMroth

CMforestwhitaker

CMmichael

CMryangosling

Thanks to artist, Sam Taylor-Wood for these photos ©2004CMnewman

Permission To Act, For Actors

Posted by Dana Kaminski on 7th April 2009 in Real Actor Truths

Actors Need To Be Aware Of Their Blocks, and Issues

I know I’ve talked about this before in this blog, but it’s important, so I am bringing it home, again.

As an actor, you will be called upon to handle all the different emotions. If you aren’t comfortable expressing emotions, you may be in the wrong business.  All of us have some emotions that we feel are safe, or acceptable to express. We have others that don’t flow as easily.  We may not even be aware of our inability to easily express these emotions. That’s called denial, by the way.

I suggest that you observe yourself, just keep a casual eye out, in your daily life. First, note if some  of the socially-unacceptable emotions back you up. Like anger. Frustration.

What ones do you take pride in keeping inside, or under wraps, or under  your control. In our culture, that’s called restraint.

 

Denial and restraint are toxic to acting.

I am not suggesting that all anger should be expressed by screaming and yelling.  Often in acting, authentic anger breaking through restraint or delivered along with, and in sprite of , the shame of experiencing the anger; can make it more specific, and more poignant. More powerful.

But it must be something that the actor is aware of, in his own self, to be able to play.  At all. Without faking.  That kind of acting is very advanced, and it’s source is extreme-self-awareness.

If you have repressed emotions, you may not be able to define them as blocks–even if they are, in truth. Look over the beliefs of your cultural upbringing: Was it okay to cry?  To express disappointment? What about an entitlement to happiness? (These are just some examples…)

What about in your own individual family?  Were you given a “voice”? Respected? Which emotions were welcomed, and which were not?  Which ones got attended to; and which emotions were you, perhaps, punished for? Belittled? Or ignored?

How did your parents express their emotions, to each other? To you? How did they model emotional-appropriateness? Often, inhibiting emotional expression is modeled.  What attitudes did you subconsciously absorb?

Psychologists are finding that the outside world can have an even greater effect than your family. When you were growing up, what peers or teachers may have influenced the facility you have with emotion?

Often, those events that are prominent in  your memory, from your childhood, hold a clue. Do you have a memory from your childhood which changed you in some way? What about the ones that must’ve had an emotional charge, or else you wouldn’t remember them so clearly. Can you define what decisions  you may have made, from those experiences, way back when they occurred? Decisions about yourself? Decisions about your accuracy of emotion? Expressing emotion?

Permission To Act, With Authentic Emotion

Do  you give yourself permission to act?  Are you allowed to enjoy  yourself, on stage; according to you? What about to feel emotions? To express emotions? 

If you don’t, neither will the characters you play.

Is it okay to act without emotion? 

I don’t think so.

Acting that comes from unconnected skill, or pretending, sucks.  Acting that goes through “the motions” sucks. Acting that is one-dimensional sucks. Acting that isn’t authentic emotion, really sucks.

 

Experiencing And Expressing Authentic Emotion

…Is the most important thing that you must know how to do, as an actor.

If you are able to allow yourself to feel, and express, the gamut of human emotions, with those who you are intimate with, then you can channel it to your acting.

How do you do that, successfully?  With your acting craft.

…More about this, later on…

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