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Oscar Winners List :: 2009 Academy Awards

Posted by Dana Kaminski on 24th February 2009 in Hollywood Actor Prep Cheat Sheet, awards

And, photos of the Oscar winning actors, in their memorable performances…

 

Academy Award Winners 2009

  • Best Picture: Slumdog Millionaire

  • Actress: Kate Winslet, The Reader

  • Actor: Sean Penn, Milk

  • Supporting Actress: Penelope Cruz, Vicky Cristina Barcelona

  • Supporting Actor: Heath Ledger, The Dark Knight

  • Director: Danny Boyle, Slumdog Millionaire

  • Original Screenplay: Dustin Lance Black, Milk

  • Adapted Screenplay: Simon Beaufoy, Slumdog Millionaire

  • Original Score: A.R. Rahman, Slumdog Millionaire

  • Animated Film: WALL-E

  • Short Animated Film: La Maison En Petite Cubes

  • Art Direction: The Curious Case of Benjamin Button

  • Costume Design: The Duchess

  • Makeup: The Curious Case of Benjamin Button

  • Cinematography: Slumdog Millionaire

  • Live Action Short Film: Spielzeugland (Toyland)

  • Original Song: A.R. Rahman and Gulzar, Jai Ho from Slumdog Millionaire

  • Documentary: Man on Wire

  • Documentary, Short Subjects: Smile Pinki

  • Visual Effects: The Curious Case of Benjamin Button

  • Sound Editing: The Dark Knight

  • Sound Mixing: Slumdog Millionaire

  • Film Editing: Slumdog Millionaire

    Foreign Film: Departures (Japan)

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Christian Bale Film-Set Dance Remix::::Warning, This Contains Anger?

Posted by Dana Kaminski on 5th February 2009 in Minding Your Business of Acting

WARNING-NOT FOR THOSE UNDER 18

It  contains, what some consider, offensive language.  If you are under 18, don’t watch.  (This is a family-usable site!)

 

**************************************************************************************************************

Now … all my readers…ESPECIALLY ACTORS

 

There are rules on a film set that everyone follows. For good reason.

I am not sure why the Director-of-Photography  was doing what he was, when he was; on the film set where Christian Bale had such a spectacular meltdown.  

Because, for anyone who has ever worked on a film, uh.  What the DP did is just not common, on-the-set, behavior.  As established, and carried out, on any movie or television set, that I’ve ever been.

….For  more  about common on-set rules and ettiquette, go to the following Hollywood Actor Prep post, The Best Way An Actor Can Act…(link)….


Now.  I know that Christian Bale’s rant is being passed around the globe; and everyone and their mama, is commenting, and judging.

I will only say that if you don’t know the rules and ettiquette that are followed on a film set, then it is good that you read this blog.

Because I have talked about it here, and will continue to post about it.

It’s very important, because these unspoken rules are followed by all professionals

 

There are good reasons for the (unspoken) “film set rules”.

If you break them, it’s not bad  because you may cause a leading man to curse you out.

No.

The “rules of a film set” exist so that the movie can get made. Period.

And, so that everybody can do their job. And do it well.  Without  interference, distraction, or interruption.

 

Often, there’s a tremendous amount of pressure and stress on a movie set.

Expect, for example, long hours (sometimes 16 or 17 hour days)

  • tight schedule
  • technical glitches and problems 
  • environmental problems
  • re-shoots and mistakes
  • health issues that interfere or compromise
  • script changes
  • budget problems
  • unexpected, unexpected, unexpected (zillions of possibilities)

There’s stuff that the public can’t understand. And, you will only know about it, when you work and experience it. 

 

Sometimes, working on a film, is back-breaking-ly-hard.

For example, for scenes that are shot at night: the whole schedule gets suddenly changed.  Flipped. You may work that week, each and every night, from 5PM to 5AM. This happens when the prior week was all-day-shooting. With overtime.

Movie schedules, in general, are exhausting.  No matter what the budget.  There are often problems with “fitting everything in” to the time allotted.

You’ve heard the phrase: “Time is money”??   Well, time, on a film set, it costs a fortune.

…So, let’s just say that you are suddenly doing night shooting, after some time of  working a daytime schedule.  

(BTW, everyone on the set, is struggling through this flipped around schedule.)

And then, all together, you all…”go into overtime”.  (Yes, thanks to SAG, everyone gets paid more for the “overtime…but, that doesn’t help the strain, at the time)

As the hours go by, it gets more and more exhausting.
Now, you are working 17 hour nights, shooting until, past dawn…
And, perhaps, during the daytime, you have a hard time getting a full eight hours of sleep…

Maybe this night shoot is outdoors,  and it’s freezing cold.  But, in the scene, it’s not supposed to be…so there’s no jackets.
Or it’s really humid and hot, and the mosquitoes are biting at your ankle,  in the middle of your love scene.

Or your co-star may be drunk.  Or keeps changing the lines and, therefore, changing the scenes…

 

“Film Is Forever”***

This is one of the most important things I can share with you.

No matter how you feel or what is going on around you…

(…your personal relationships, your relationships on-set with the cast and crew, your relationships off-set with the cast and crew, or your trainer, or your agent, or whomever or whatever…)

That stuff will all disappear into your memory—but what goes on that film will last forever.

You need to make sure, as all kinds of things go on around you, before during and after each shoot, on set and off-set…

…that…what goes on that film is done to the best of your ability.

And that you are totally present, aware, and not distracted.  No matter what.

Not only is your career, your future,  and your professional reputation, dependent on that; but so is the success of the film.

…And the effectiveness of the story in the script.

…The other actors’ performances are depending on yours, as well. It’s all teamwork.   


I say it again, film sets are all teamwork.

Everyone must do their part to make sure they are doing everything they can to their own personal and professional best; as well as doing eveything possible to support the synergistic cast, and crew, in doing theirs.

That’s how trust is built.  The amount of trust on a movie set, is in direct correlation to how successful the finish product appears.  It’s holistic.

A set…where there’s war, or chaos…makes a stinker movie, in the end.

It’s all just too hard, like that.  There are 100’s of people that make a movie.  It’s all gotta work together.

 

Movie stars bear the blame, when a movie ends up a stinker.

All actors do.

I don’t know if you follow me on Twitter (and if you don’t, you are missing out, because I post a lot of little news items and pertinent stuff in my twitter tweets, so here’s a link) …but if you do, you’ll know that I pass around questions.  One question I asked was if anyone knows what a producer does??  I’ll post the answers in the next few days…(even have a funny response, from Michael Bay, a-hem)

Producers, directors, they may accept the Oscars, when their movie wins a “Best Picture” award…

But it’s the actors that get the public blame when a movie tanks.

And, it’s the films’ lead actors, the stars of the movie, that take the career hit.  Because the movie stunk.  

The acting might be good, but if the movie doesn’t sell tickets, the stars’ careers get affected.  

Sometimes, stars lose their careers, soon after a bad movie opens.  Completely.

 

As I said, I have no comment on what Christian Bale did.

(I’m not big on ‘judging’.)  

I do know that anger is a normal human emotion.  

As actors, we need to be comfortable with all authentic emotion, the gamut.

Even the uncomfortable ones, the less socially acceptable ones.

Anger is something that you must be sure you are comfortable with. Hearing, and expressing.

Because as an actor, you’ll be called upon to play it.  (In a script.)

It’s best, to be at a point, where you even enjoy it.

Wanna start now?

Shall we dance?  

___REMOVED VIDEO OUT OF RESPECT FOR CHRISTIAN BALE, ESPECIALLY SINCE WE ALL HEARD IT WAY TOO MUCH. Originally, I put the music remix up, because I simply thought it was funny. That was before I saw just how serious people took Bale’s outburst.  My own reaction was not as extreme, perhaps because I live in Hollywood!!

Update: I forgot to give proper credit to the artist who made the Christian Bale remix!  His name is Revolucian (Lucian Piane) and, by clicking on his name, you’ll reach his MySpace page…he’s about to mix RuPaul’s new jam.

(I have an additional update that will be coming up, in the next post…It’s also about actor, Christian Bale…)

Best,

;-Dana

 

Please subscribe by email through Feedburner, securely, by clicking here…And share Hollywood Actor Prep with your actor friends, and others.

And thanks, especially to the ones that have been spreading the word, about this blog… and Twitter…(where I’m   __dana__  )

Actor Kevin Spacey, On Determination

Posted by Dana Kaminski on 16th January 2009 in acting business

You want it? Take action, then.

Kevin Spacey wanted to act in a play, in New York. He wasn’t, yet, a “known” actor; he couldn’t get an audition.

He did have agents, and they couldn’t get him an audition. He had a manager, and, she neither.

Eventually, Kevin Spacey did get the role in the play. How?

YouTube Preview Image

Accept limitations, and don’t work.

Don’t accept limitations, and do.

‘Nuff said.

Best,

;Dana

Please share on Facebook and other social sites. Thank you.

Follow me on Twitter. User name is __dana__ .

My Acting Blog… An Unexpected Stage, Due To Fate…

Posted by Dana Kaminski on 28th November 2008 in SAG Strike + SAG Negotiations

For My Readers, My Community…

When I started this blog, I had no idea that such a political and dire situation would confront actors.

I had not even an inkling, that there would be such a dramatic situation..Let alone that I would be in a position where I would have, already, a communication link with the population (actors) that it would concern.

Right now, that’s the way it is.  (And stuck with it or not, here we are, and so this community will deal with it by the same methods that this blog was planned: advising, educating, supporting… Actors.)

The Screen Actors Guild is involved in a struggle that, they believe, is going to make-or-break the career of acting.  Forever.  Really.  

When I scrutinized the facts, I see their point.  Clearly.

And, because I believe in the arts, and I believe that the arts are integral to our culture, and because they are the measurement of which all cultures are apprised; I value the arts.  I also value the arts, because I am an artistic/creative person, and the arts are my identity.

I also believe in the arts, because I think cultures need their arts, psychologically, to stay healthy as a society.  I regard the arts as necessary, also, I don’t regard them as frivolous, or “extra”.  I believe they have an integral function, and purpose, in society. All species work, to survive and thrive; but the arts are a manifestation of what makes humans a higher species.

And they make life, really “living”.

I believe acting is an art form.  I’ve said that many times, in my blog posts.

It’s one of my missions, here, to revere acting as an art form, to “frame” that aspect of it; which therefore, participates in its continuation, that aspect.  To share this passion, amongst a (niche) social group, that also believes the same; is one of the purposes and functions of this blog.  

 

Alan Rosenberg, SAG President

Alan Rosenberg, SAG President

 

 

Sure,  I could ignore this whole “hurricane” going on, within the Los Angeles, within it’s one factory …in this one-factory town.  

I could just simply stick to what I was doing and will continue to do here: 

 

  • giving tips about how to really conduct yourself as an actor, as a professional
  • navigating the acting business, and “the industry”
  • teaching all about the acting business that you don’t learn in acting classes
  • showing great acting performances, and actors with skills, and discussing why
  • sharing experiences that became lessons for me, so you don’t waste your own time
  • busting myths about the acting profession
  • supporting your actor journey–which can be, at times, difficult
  • and just writing general and specific stuff that will assist you in your career.

The problem is, that SAG thinks, soon, there won’t  be acting careers.  At all. The acting profession is on the chopping block.  

That’s why, it is so very important.  In determining our cultural future, and…  Because acting is what this blog is about.  That’s why I write it, and that’s why you found it, and even subscribe.  Or come back.  

Whether aware of it, or not: “business” may just be strong-arming the actor, right out of our culture.  ( Simply, because business seems to act on solely what is advantageous, for business.  Above all.  That’s why there is that saying: “Business is business”.)

There’s a bias in the press, which influences the public. Creates more adversarial pressure. (See my upcoming LA Times post.)

I feel a certain responsiblity, because I am an artistic/creative type, and we just feel a natural calling, when there is some kind of underdog getting trampled, or someone weaker needing support. It’s somehow part of the “artistic temperament”.  And, it’s not someone else, it is us.

As I research, I see more and more that the public doesn’t have any clear idea about what this whole SAG/AMPTP thing is all about, and frankly, neither do actors.

And, if there is a time to be in-the-know, it is now. I urge you all to participate… 

Are you aware who the adversary, to SAG is, in this?  It is the movie studios, and the people who run them, it is all the people who hire actors, for work.
And the thing that businessmen/bosses, in this, take for granted (which is the same thing that the rrest ofthe worldis enamored with–“acting”)…will be gone.  Gone. I don’t even know if they realize it…

Most actors, the ones that do know what’s happening, are afraid to speak out. And, viably so.  It’s a very “touchy” situation.

I believe that fear was what motivated the civil strife within SAG–so many actors just wanted not to stir up any dust…Getting work, as an actor, feels impossible enough, so much of the time.  To create animosity just felt like suicide, to some of them…And, as Hollywood Actors, we are all just, robotically, kissing butt. It’s just how it’s always been done.

Problem is, it may be that if there is no speaking up, it is going to become impossible to have a career as an actor.  Impossible.

Extinction.

Of the art form.  Of the profession.

And if actors don’t speak up now, there will never be any respect.  At all.

 

Am I scared? Yeah…

I am not so comfortable sticking my neck out, especially because I simply could play it safe… just write about how to do an audition properly, etc.  (Because nobody sticks their neck out here…oh yeah, right, I know, they do for “liberal” and “political” causes, but not for internal wrongs. No one speaks up, to powers-that-be.)

I am, seriously, afraid for the future of acting, too. And for those who are born, as actors. Whatever will they do? If there is no pay, or no real way to survive, if an actor?

In the least, I need to help get all the information out.  Make it readily available, and understandable. Here, and elsewhere. 

I will continue to investigate more… the validity and the facts, and the stance,  on both sides.  I will present them both, to you.

So I hope you will forgive me for veering a little off, by covering the SAG conflict, for a little while….or if this reads like abstract, theoretical meandering to you… I promise not to let this SAG stuff take over, the focus or content, here, at Hollywood Actor Prep.

And if there is an  Actors Strike,  I hope it is short-lived.  Or not at all…with enough strength, knowledge, goodness, and cohesion; on our side.

Thanks.

…And if you didn’t get a Thanksgiving message from me, 

I want you to know, that from the bottom of my heart, I am so very grateful for you, and for you being a partof, and coming back to… my blog.    

I give my thanks, to you.

;-Dana

 

PS Feedback? Comments? Questions? Debate?  Click for the Hollywood Actor Prep Group on Facebook, and please leave something there. Here, there’s a tech glitch  with “commenting”…  since Wordpress is going to releasing a new overhauling upgrade, soon, I’m waiting for that. It should fix the glitch as it installs their new blog architecture. 

On Twitter? if  you want to “follow me”, and get post news, click here for link…
Please share, and spread the word… and post the blog on your Facebook, MySpace, Twitter, etc, and email these posts to your friends.  
Keep this community strong thriving and strong… especially now…

And, do donate, please…if you can, whatever you can.




Movie Widget…”Slumdog Millionaire”

Posted by Dana Kaminski on 26th November 2008 in Ooooh! Movie Trailers!, Uncategorized

Would this little movie toy add to your holiday fun?

;}   Dana

Official Tabulation Results for: SAG 2008 Hollywood Board

Posted by Dana Kaminski on 18th September 2008 in SAG Strike + SAG Negotiations

Here are the official tabulation results for the SAG Hollywood Division winners.

You can see exactly how many votes each candidate got.

I am only posting, from the SAG website, page one.

That’s the page of winners; and if you wish to see the rest, I  will post a link.

Tabulation Sheet Lists SAG Board Winners And Vote Totals

Tabulation Sheet Lists SAG Board Winners And Vote Totals

SAG Posts New Elected Board Members

Posted by Dana Kaminski on 18th September 2008 in Of Interest, SAG Strike + SAG Negotiations

Just a few minutes ago, SAG posted its newly elected board members.

I will simply paste the whole press release below.  I’ll post the exact numbers for the winning candidates on the following post.

I have two comments:

1. SAG members always seem to vote for the most successful celebrity.  Doesn’t it appear that the list of winners, which are actually in ranking order of votes counted;  is also in order by most recognizable?      

 From highest to lowest?

2. Still, It looks like a great and smart list of choices, and people. 

It could be that, if fact, the inner turmoil of the SAG Actor Civil War brought a whole lot of good candidates to the ring.  Perhaps we wouldn’t have had such sparkling, fresh choices to choose from, and then to get elected to be at the top.  Suddenly, we have a modern and vibrant cast for the SAG board.  

Well, hey, that turned out quite alright, didn’t it?  I am looking forward, toward the positive future…

 

Here’s SAG’s press release, with the SAG Board winners:

 

FOR IMMEDIATE RELEASE


SCREEN ACTORS GUILD ANNOUNCES RESULTS OF NATIONAL BOARD ELECTIONS

Los Angeles (September 18, 2008)—Screen Actors Guild today announced election results for the Guild’s national board of directors. Twenty-three of the 69 national board seats were open for election this year, representing Screen Actors Guild’s Hollywood, New York and Regional Branch Divisions.

The newly elected national board members will assume office on September 25.

SAG’s Hollywood Division elected 11 new national board members; the New York Division elected five members; and seven national board members were elected from the union’s branches in Boston, Dallas/Fort Worth, Detroit, Houston, Nashville, Nevada, and Washington D.C./Baltimore.

  • Board members elected from the Hollywood Division:

Amy Brenneman, Adam Arkin, JoBeth Williams, Scott Bakula, Ken Howard, Lainie Kazan, Kate Walsh, Keith Carradine, Joely Fisher, Morgan Fairchild and Pamela Reed (all three-year terms.)

Joe Bologna, Marcia Wallace, Dule Hill, Doug Savant, Clancy Brown, Gabrielle Carteris, Clyde Kusatsu, L. Scott Caldwell, Ashley Crow, Ned Vaughn, Richard Speight, Jr., Alan Ruck, Stacey Travis, Jane Austin, France Nuyen, Anthony DeSantis, Eugene Boggs, Tim DeKay, Bill Smitrovich, Charles Shaughnessy, Assaf Cohen, and Yale Summers were elected to serve as national board alternates and to the Hollywood division board of directors (all one-year terms).

  • Board members elected from the New York Division:

Sam Robards, Rebecca Damon, Matt Servitto, Traci Godfrey, Mark Blum. (all three-year terms).

Jack Landròn, Eric Bogosian, Ralph Byers, Joe Narciso, John Rothman, Jay Potter, Kevin Scullin, Marc Baron, and Manny Alfaro were elected to serve as national board alternates and to the New York Division board of directors (all one-year terms.)

  • Board members elected from the Regional Branch Division:

Bill Mootos (Boston – three-year term), Suzanne Burkhead (Dallas/Fort Worth – three-year term), Ed Kelly (Detroit – three-year term), James Huston (Houston – three-year term), Cece DuBois (Nashville – three-year term), Art Lynch (Nevada – three-year term), Stephen F. Schmidt (Washington D.C./Baltimore– three-year term).

SAG President Alan Rosenberg stated, “I congratulate those members newly elected to our board of directors and I look forward to working closely with each of them. Now it’s time to work in tandem on behalf of SAG members throughout the country, to get a fair contract we can all be proud of. A union divided benefits only the employers and SAG members deserve nothing less than unified, focused leadership.”

Ballots for all eligible SAG members in Hollywood and New York were mailed on August 19 with a September 18 return deadline. Ballots were tabulated today at SAG headquarters by the independent election company, Integrity Voting Systems. A total of 13,793 ballots were tabulated in the Hollywood Division (representing 24.84 percent of ballots mailed in the Hollywood Division) and 5,458 ballots were tabulated in the New York Division (representing 23.76 percent of ballots mailed in the New York Division). The number of ballots returned in the Regional Branch elections varied by region.

For complete results, please visit www.sag.org and click the election results box.

 

This was pasted in entirety from the Screen Actors Guild website, at www.sag.org.

Today SAG Will Announce Results of New Board Elections

Posted by Dana Kaminski on 18th September 2008 in SAG Strike + SAG Negotiations

The SAG announcements, today, will state the results of their new board members.  I don’t ever remember a SAG board election as wildly and publicly anticipated.  

(And, I am a SAG “vested”…  Vested, in SAG union terms: means that I have been around long enough that I earned a pension which I will receive when I am old and bitter-er.)

Why are the SAG Board Announcements so exciting? 

Right now, in Hollywood, there is far more drama within the actor ranks, than in any theater. 

There’s practically a SAG Civil War, amongst Professional Actors. Within the SAG membership group of the real, authentic, working, actors.  And, actors from the two opposing sides of this war, are competing for Board of Director seats.

What this war concerns, at the heart, is what actors feel is critical to their career.  And, to the future of what is commonly known as an ” professional acting career”.

 At issue, is the concept of the Working Actor; and the decisions and actions of the SAG leaders, for the union.  The decisions that are on the table, right now.  

 

Plainly:

that group, which has been traditionally known as the Working Actor, the Professional Actor, and in the theatre, called the Journeyman Actor –

…unfortunately, that profession is headed for extinction. Here in Los Angeles.

 

Truly.  The middle-class actor is almost a no-more thing. Even was reported in the LA Times.

 

But, you might say, you just read that that that  Dr. House ‘s new-season-salary broke records…and that is true.

 

Stars do make a lot; AND they are a very small minority, compared to the rest of the group.  The group of professional working actors out here. 

 Two ends of the actor spectrum, actually, can both earn a living and benefits: stars and extras.  

(Extras weren’t always in SAG, but now they are; and there are some that work quite consistently, and do make a very good, regular income and even qualify for SAG benefits that include an exceptional health insurance plan.)  

 

A lot of  the heat of the drama within the SAG membership of real authentic working actors, has to do with the suddenly almost-defunct professional actor middle class. 

Obviously, always, throughout history, actors have scrambled for work.  The numbers of available actors compared to the amount of work that was available, has always been so extreme, it’s like a silly joke.  It’s always been an almost ludicrous career choice, by “normie” standards.  By regular working joes. An acting career has never been regarded, by outsiders, as a CAREER.

 

But, inside Hollywood :

 (that term, of course, I use “tongue in cheek’—I mean in “the industry”)

what was once regarded as a career, an acting career,

has radically changed. You probably “know”  all of these people, if you aren’t in the business.  They are the actors you recognize while you are watching a show, and you know you’ve seen them before, in a different show. From things that they’ve been in before.  And, when you visit here, and you see one of them, sometimes  you ask them if they were in your high school because they look “familiar”…They can be, also, sometimes, people you remember who had a great role in something and it knocked you out, with how wonderful they were.  Then you didn’t see them again for a while; then maybe you saw them later, in something else, completely different.

 

When they say from “career” to “hobby”, they aren’t kidding.

 

It really used to be like this: a professional actor went from job-to-job.  Even with months in between, it was possible to make enough to live decently, middle class.

Yeah, right, I know: there were never great guarantees in the acting business; and right again, there could be a big period of “nothing” where no auditions were won and the actor went broke for a while.  Bank account to zeee-ro, I know.

 

But there also was the flip-side, a professional actor could get one plum role or a steady stream of solid middle credit-list roles, and do very well.  Or do a steady trajectory upward, and garner juicy raises in payscale along the way.

 

(I really DO know, I’ve lived through both parts, again, and then again…)

 

For as long as I can remember, guest starring on a television show was a nice delicious job. Chunk-a-money job.

 

But this isn’t true anymore, it’s disappearing. That type of actor life, the real solid career actor.

 Enter the “hobby”.

And a “hobby” actor, instead, isn’t even a viable idea.  I don’t think it is. 

At any time, the nature of the art is this, as well as the nature of business:

To be a professional actor,

to begin a career as an actor,

to maintain a career as an actor,

takes far more effort, time, and sheer investment of self,

than any hobby.

There’s just no way to be a professional of such commitment, in a field that requires such commitment, “on the side”.

 

In jokes, actors are classically, self-absorbed.  I’m not advocating narcissism, but I do know that a strong sense of focus and intent, is part of what it takes, darn it.  Really. 

 

There is just no way that… the results are even going to be even decent fare, not a chance. With most of the actors, hobby-ists.

It’s going to negatively affect every production in the industry.  The level of performance that we all take for granted will go down with it.  It has to …

The great ones, the committed ones who may not be stars but are the solid backbone of reliable cast of every show—they will take their talent where it can flourish, and where they can survive.  Where they can earn a living. 

Acting, for the first time, will suddenly not appear easy to do.  It will appear not-so-expendable.

 

Hobbyists are not people who commit their lives, with their lives:  to their craft, which many professional actors truly do.

 

Actors do it, as corny as it sounds, for love.  With a overriding passion and commitment. Yet, they need to be able to make a living. Many career actors believe that this extinction is salvageable, if handled correctly by SAG leadership. 

 

This is at the heart of the strife that you may be hearing about.  Between-the-actors. The competition for work has always made us crazy.  You can imagine what this pressure of the AFTRA mutiny; and the loss of the middle class actor has done to our group, as a whole. 

(If you live in Hollywood, you may want to dig a trench. That’s right, there’s two wars; one is between the producers and actors, and the other is between actors: two factions of professional actors at war, splitting their “group” in-two.)

 

So… that is why the SAG news announcements coming today…is so extremely major.  SAG will announce  who won the votes to be the new SAG Board Members.  Huge drama, lots of emotion, even lots of celebs…

 

There are two warring sides, and the announcement will reveal which side will hold the majority weight—and sit, and make decisions, on the SAG board.

 

Please go to the next few blogs, if you are interested,  I post information from these two warring sides, from their own releases.

 

Peace,

Dana

 

Here’s a link for  an article from the Los Angeles Times,

on the disappearing-middle-class-actor:

 http://articles.latimes.com/2008/may/28/business/fi-sag28

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